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McCauley, MLA6

Audio | Parlantes

#CAT1825 The MLA6 is McCauley Sound\'s flagship line array system. The MLA6 is a low-profile, axially symmetrical, three-way large-format line array module based on McCauley Sound’s revolutionary...

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McCauley, EA622

Audio | Parlantes

#CAT1826 The EA622-2 was designed as a dedicated high/mid system for large format touring arrays with an emphasis on controlled coverage over long distances. Its extraordinary acoustic quality...

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McCauley, M-Line

Audio | Parlantes

#CAT2419 The M.LINE High Mobility Line Array Series is a high performance, high fidelity sound reinforcement system which has been designed to facilitate quick and painless set-ups and tear-downs....

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McCauley, Complete System

Audio | Parlantes

#CAT2056 Massive arrays fully moved in, assembled and raised into the air in minutes. No lifting. No tools. No loose parts. No stress. No strain. No hassle. ...

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McCauley, FM850

Audio | Parlantes

#CAT3972 The FM850 is a premium stage monitor designed to exceed the expectations of the most discerning performers and engineers. This portable, lowprofile, high output stage monitoring system...

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McCauley, MLA5

Audio | Parlantes

#CAT2432 The MLA5 is McCauley Sound\'s original line array system. The MLA5 is a low-profile, axially symmetrical, three-way large-format line array module based on McCauley Sound’s revolutionary...

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McCauley, SM950

Audio | Parlantes

#CAT2433 The SM950-2 was designed as a multi-purpose, ultralow profile, full range monitoring system for professional touring and other staging applications. The SM950-2 utilizes McCauley’s...

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McCauley, MLA5

Audio | Parlantes

#CAT2721 The MLA5 is McCauley Sound\'s original line array system. The MLA5 is a low-profile, axially symmetrical, three-way large-format line array module based on McCauley Sound’s revolutionary...

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McCauley, Wedges

Audio | Parlantes

#CAT4859 Stage monitors are a unique class of loudspeaker... unlike most systems, the "wedge" is targeted for short-range operation, usually covering a single person ... the performer....

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